Two renowned music labels and two famous names on the underground scene.
PHARMAKON (Sacred Bones, USA)
Margaret Chardiet is an interdisciplinary sound artist born and based in New York City. Raised by underground musicians and artists, Margaret was surrounded by a collective of the city’s impassioned, cultural detritus. Instead of following a path of higher education, she began the experimental project Pharmakon in 2006, at the age of 16. Chardiet uses electronic synthesis as a tool to transfer this self-possession physiologically and intra-spatially into the bodies of their audience. Timbre becomes temper. Ferality, a social contagion or biorhythm. Margaret has also played in numerous punk groups that extend out to a greater international D.I.Y. music community, and has composed score and original music for the films Transfiguration (2017), and Sound of Metal (2019).
KOLLAPS (Cold Spring Records, AU)
Until The Day I Die is Kollaps’ third LP for Cold Spring Records. The record, set for release in June 2022, is merciless and visceral assault on the senses and continues the trajectory of the band’s idiosyncratic approach in their creation of sound. Until The Day I Die is an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; violence, romanticism, sexuality, and addiction. A crudely self-constructed artifice that has become iconic in its use across Kollaps’ triptych of releases and lengthy touring history in Europe, Australia and New Zealand.
Z verejných zdrojov podporili Fond na podporu umenia a Nadácia mesta Bratislava.
Za dôveru pri vzniku Novej Cvernovky ďakujeme Bratislavskému samosprávnemu kraju.
Partnerom programu je aj Nadácia Orange.
Za tlač ďakujeme bittner print.